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the late one”, the speaker attempts to assert her presence in her mother’s past with
“I knew” even though she says “I’m ten years away” (line 1) and “I’m not here yet”
(line 6) in the poem. She acts and speaks as if she were her mother’s mother
watching out for her staying out late at night.
5.
The poem is written in a conversational manner. Do you think the style is
appropriate to the subject matter?
The poem is written in a highly conversational manner. The alternation of very short
and long sentences creates a fluid rhythm and pauses in a natural speech. Informal
and colloquial words such as “pals” (line 2) are used to create a warm and
affectionate tone, which brings out the theme of the poem and the intimate mother
and daughter relationship. The tender and loving tone is accentuated when speaker
addresses her mother like a lover or her own child with expressions like “sweetheart”
(line 15).
While the poem gives the impression of a speech from the daughter to the mother,
this speech is more like a retrospective interior monologue inspired by a photograph,
which is not intended to be delivered to or heard by the mother. The speaker asks her
mum direct questions that require no answers, e.g. “The decade ahead of my loud,
possessive yell was the best one, eh?” (line 11) and depicts her mother’s feelings and
responses as if she could read her mother’s mind, e.g. “You Ma stands at the close
with a hiding for the late one. You reckon it’s worth it.”(lines 9-10). An interior
monologue adopting a first-person voice suits the content of the poem, which mainly
focusses on the daughter’s re-creation of her mother’s past from her subjective
experience and imagination. The limited perspective and one-sidedness of the
speech also help to bring out the daughter’s self-centredness and sense of
possessiveness towards the mother.
6.
Identify three examples of imagery used in the poem. Explain how they appeal to
our senses and enhance the meaning and impact of the poem.
Example of Imagery Sense(s) involved
Meaning and impact
1.
Your polka-dot
dress blows round
your legs. Marilyn.
(line 5)
Visual imagery
(sense of sight)
Tactile imagery
(sense of touch)
The mother was alluded to Marilyn
Monroe, the sexy icon of the 1950s,
with the wind blowing over her
polka-dot dress to reveal her legs,
which connotes sexual